The historic crossover mini-series continues! Batman's received a panicked call from Riverdale and he sends Robin and Batgirl with one caveat-they must disguise themselves as high school transfer students!
Riverdale finds itself under an unexpected new leader as the New Predators wreak havoc on everything and everyone that comes across their paths.
A broken mirror gets you seven years of bad luck. Salt was thought to have the same preservative effect on friendship as it had on food, so spilling it was a bad omen. We all know a black cat crossing your path is bad luck, but did you know an upside-down horseshoe represents good fortune spilling out on the ground? Charlene "Chuck" Manchester hires out her bad luck, providing disaster where someone else can profit. While her enemies rally to take her down, Chuck sees a way out with her new heiress sidekick. But sometimes her own bad luck is not enough, and Chuck needs to really tempt fate to pay the rent . . .
Cursed at birth, Charlene "Chuck" Manchester hires out her own bad luck, providing disaster where someone else can profit-but now disaster is coming home to roost! The cops want her, the evangelists want her, and a highly motivated insurance adjuster wants her-Chuck ran to the one place she's ever been safe, and now she's brought a hellish alliance down on her sanctuary, led by a vengeful mob boss.
Cursed at birth with extraordinary bad luck, Charlene Chuck Manchester provides disaster where someone else can profit. Got a failing business? Contact Chuck, and before you know it, you're collecting that insurance policy without ever getting your own hands dirty. But after a crime boss hires her to take out an evangelical cult, the mob boss, the cult leader, and a dogged insurance-fraud investigator all come for her at once. Collects issues #1-#4 of the miniseries.
Our post-apocalyptic future's... future! The Post-Post-Apocalypse rockets along in the electroconductive form of hypermodern folklore! This is beyond mythpunk... it's nuclearpunk! When you're Sasha Vasnetsov, trying to save your twin brother from a work camp for the socially malformed, the world and your brother's life are the same heart-wrenching thing.The next world-saving step? Sasha and Maria, the Super Soldier, have to break into an impossible train that teleports every few seconds and spring her warsuit from cold storage. To liberate his brother, Sasha is going to help Maria regain the power she once had during the Great Iron War, the power that's been a cursed legacy for her for a decade. But if they survive, and Sasha has to choose between the warsuit and Maria...does he save the woman that saved his life, or take the next step in saving his brother? From Steve Orlando (Batman/The Shadow, Crude, Midnighter, Virgil) and Matthew Dow Smith (October Girl, Suicide Squad, The X-Files) comes a vision of humanity after a disastrous World War of Mechs and Magic.
Sasha never saw his younger brother...until the secret police made him disappear. Sasha Vasnetsov left Thrice-Nine-the dirty folklore world that limps along in the wreckage of a Technomagic War-thirty years ago and never looked back. But word that the secret police have sent his brother Gena to a work camp for the socially degenerate drags him back, with a promise to free Gena and return him to their mother before her fiftieth birthday. The only problem? Sasha isn't a fraction of the tough guy he tries to be, so if he's going to break back into Thrice-Nine...he'll need help. Sasha's only hope is Maria Kamenaya, a former Technomagic Warrior with hundreds of enemy kills to her name, betrayed by the country that made her when her honor conflicted with their agenda. Thrice-Nine took Sasha's brother, and it took Maria's heart. This quest is how they get both of those things back, in the steaming, lawless land of decapitated states...the land of Dead Kings. Like True Grit set in the world of Final Fantasy, Dead Kings is unrelenting with its passion and thrills, massive in scale and unflinching as it peers into the underside of the obligations that drive us all: to family and country. It's a classic Wild West revenge cast against a haunting, awe-inspiring vision of a future where we've mortally wounded the world, and the prisoners are the only ones left to run the penitentiary
