ALL-NEW, ALL-SUMTHIN’ ELSE


Invincible Iron Man

Invincible Iron Man


KC Carlson looks at All-New, All-Different Marvel titles including Invincible Iron Man, Doctor Strange, Spider-Man 2099, and more!

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Markley’s Fevered Brain: Crisis, What Crisis?


Avengers Vs. X-Men #1

Avengers Vs. X-Men #1



Westfield’s Wayne Markley takes a mostly spoiler-free look at Marvel’s Avengers Vs. X-Men.

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KC Column: Never-Ending Story, Part 3


Blackmark
by KC Carlson

PREVIOUSLY ON NEVER-ENDING STORY (part 1) (part 2): After intense creative experimentation in the early 1970s, superhero comic books largely stuck to the basics by the end of the decade. There were more creative surprises ahead, but for now, comics’ biggest conflicts were behind the scenes, as a failing distribution system, combined with a poor physical product, would force comics to come up with creative solutions to stay alive. Meanwhile, many comic creators were restless, especially the new, younger talent who had been entering the field over the last decade or so. They also wanted better physical presentation for their work, including ever-expanding formats to experiment with — as well as better working conditions and more return for their creativity. Plus, the effects of growing intelligent critique and criticism from a more vocal fanbase would help push creators into even bigger flights of fancy. All of these factors seemed to indicate that interesting times were around the corner as the 1980s began.

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