by KC Carlson

Though we may be inundated by it in current superhero comic books, long-form serialized storytelling is nothing new.

The idea of telling a long-form storyline as a series of chapters originally dates back to somewhere between the mid-8th and the mid-13th century. The work in question? One Thousand and One Nights, more colloquially known in English as the Arabian Nights. They are actually a series of independent stories gathered together with a framing device, but as originally told, each story was shared over a period of nights, including some kind of “cliffhanger” ending, which would be resolved the following night. Some of the more famous of the stories include “Aladdin’s Wonderful Lamp”, “Ali Baba and the Forty Thieves”, and “The Seven Voyages of Sinbad the Sailor”, all of which are probably much better known to several generations of American children as the basis for three very memorable (and historically important) Popeye the Sailor cartoons.

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by KC Carlson

There are a number of new Marvel projects this month falling under the banner of “Women of Marvel” – spotlighting not only Marvel’s fascinating female characters, but also the creators who wield the pencils and brushes and tap those keyboards. First up is Girl Comics, a three-issue anthology series featuring work by women only. (The book will probably be printed by men, though.) The first issue sports a great She-Hulk vs. Iron Man cover by the amazing Amanda Conner – and it’s not the battle you’d normally expect. I’m looking forward to seeing the work of Ann Nocenti, Devin Grayson, and Trina Robbins, all of whom haven’t done much superhero comic work of late, as well as current faves including Colleen Coover and Stephanie Buscema.

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